Walking through a dream, I see you
My light in darkness, breathing hope of new life
Now I live through you and you through me, enchanting
I pray in my heart that this dream never ends

I see me through your eyes
Breathing new life, flying high
Your love shines the way into paradise
So I offer my life as a sacrifice
I live through your love

You teach me how to see all that’s beautiful
My senses touch a world I never pictured
Now I give my hope to you, I surrender
I pray in my heart that this world never ends

I see me through your eyes
Breathing new life, flying high
Your love shines the way into paradise
So I offer my life, I offer my love, for you

When my heart was never open
(And my spirit never free)
To the world that you have shown me
But my eyes could not envision
All the colors of love and of life evermore

Ever more
(I see me through your eyes)
I see me through your eyes
(Living new life, flying high)
Flying high

Your love shines the way into paradise
So I offer my life as a sacrifice

And live through your love
And live through your life
I see you
I see you

I’ve had a little bit too much
All of the people start to rush, start to rush by.
How does he twist a dance? Can’t find my drink, oh man.
Where are my keys, I lost my phone, phone

What’s going out on the floor?
I love this record baby but I can’t see straight anymore.
Keep it cool what’s the name of this club?
I can’t remember but it’s alright, alright.

Just dance. Gonna be okay, Da da doo-doo-mmm
Just dance. Spin that record babe, Da da doo-doo-mmm
Just dance. Gonna be okay, d-d-d-dance
Dance. Dance. Dance. J-j-just dance.

Wish I could shut my playboy mouth, oh oh oh-oh
How’d I turn my shirt inside out? Inside outright.
Control your poison babe, Roses with thorns they say.
And we’re all gettin’ hosed tonight. oh oh oh-oh

What’s going out on the floor?
I love this record baby, but I can’t see straight anymore.
Keep it cool what’s the name of this club?
I can’t remember but it’s alright, alright.

Just dance. Gonna be okay, Da da doo-doo-mmm
Just dance. Spin that record babe, Da da doo-doo-mmm
Just dance. Gonna be okay, d-d-d-dance
Dance. Dance. Dance. J-j-just dance.

When I come through on the dance floor checkin out that catalogue.
Can’t believe my eyes so many women without a flaw.
And I ain’t gon’ give it up, steady tryin pick it up like the car
I’ma hit it, I’ma hit it and flex and do it until tomorr’ yeah

Shawty I can see you got so much energy
The way you’re twirlin up them hips round and round
and now there’s no reason at all why you can’t leave here with me
In the meantime stay and let me watch you break it down.

Just dance. Gonna be okay, Da da doo-doo-mmm
Just dance. Spin that record babe, Da da doo-doo-mmm

Just dance. Gonna be okay, Da da doo-doo-mmm
Just dance. Spin that record babe, Da da doo-doo-mmm
Just dance. Gonna be okay, d-d-d-dance
Dance. Dance. Dance. J-j-just dance.

Woo! Let’s go!

Half psychotic, sick, hypnotic
Got my blueprint, it’s symphonic
Half psychotic, sick, hypnotic
Got my blueprint electronic

Half psychotic, sick, hypnotic
Got my blueprint, it’s symphonic
Half psychotic, sick, hypnotic
Got my blueprint electronic

Go! Use your muscle, carve it out, work it, hustle
I got it, just stay close enough to get it
Don’t slow ! Drive it, clean it, lights out, bleed it
Spend the lasto
(I got it)
In your pocko
(I got it)

Just dance. Gonna be okay, Da da doo-doo-mmm
Just dance. Spin that record babe, Da da doo-doo-mmm

Just dance. Gonna be okay, Da da doo-doo-mmm
Just dance. Spin that record babe, Da da doo-doo-mmm
Just dance. Gonna be okay, d-d-d-dance
Dance. Dance. Dance. J-j-just dance.

I wanna hold em’ like they do in Texas plays
Fold em’ let em’ hit me raise it baby stay with me, I love it
Luck and intuition play the cards with Spades to start
And after he’s been hooked I’ll play the one that’s on his heart

Oh, oh, oh, oh, ohhhh
I’ll get him hot, show him what I’ve got
Oh, oh, oh, oh, ohhhh
I’ll get him hot, show him what I’ve got
Can’t read my, Can’t read my
No he can’t read my poker face
(she’s got to love nobody)
Can’t read my, Can’t read my
No he can’t read my poker face
(she’s got to love nobody)

P-p-p-poker face, p-p-poker face
(Mum mum mum mah)
P-p-p-poker face, p-p-poker face
(Mum mum mum mah)

I wanna roll with him a hard pair we will be
A little gambling is fun when you’re with me I love it
Russian Roulette is not the same without a gun
And baby when it’s love if it’s not rough it isn’t fun, fun

Oh, oh, oh, oh, ohhhh
I’ll get him hot, show him what I’ve got
Oh, oh, oh, oh, ohhhh
I’ll get him hot, show him what I’ve got

Can’t read my, Can’t read my
No he can’t read my poker face
(she’s got to love nobody)
Can’t read my, Can’t read my
No he can’t read my poker face
(she’s got to love nobody)

P-p-p-poker face, p-p-poker face
(Mum mum mum mah)
P-p-p-poker face, p-p-poker face
(Mum mum mum mah)
(Mum mum mum mah)
(Mum mum mum mah)

I won’t tell you that I love you
Kiss or hug you
Cause I’m bluffin’ with my muffin
I’m not lying I’m just stunnin’ with my love-glue-gunning

Just like a chick in the casino
Take your bank before I pay you out
I promise this, promise this
Check this hand cause I’m marvelous

Can’t read my, Can’t read my
No he can’t read my poker face
(she’s got to love nobody)
Can’t read my, Can’t read my
No he can’t read my poker face
(she’s got me like nobody)

Can’t read my, Can’t read my
No he can’t read my poker face
(she’s got to love nobody)
Can’t read my, Can’t read my
No he can’t read my poker face
(she’s got me like nobody)

Can’t read my, Can’t read my
No he can’t read my poker face
(she’s got to love nobody)
Can’t read my, Can’t read my
No he can’t read my poker face
(she’s got me like nobody)

P-p-p-poker face, p-p-poker face
(Mum mum mum mah)
P-p-p-poker face, p-p-poker face
(Mum mum mum mah)

P-p-p-poker face, p-p-poker face
(Mum mum mum mah)
P-p-p-poker face, p-p-poker face
(Mum mum mum mah)

Hasta Manana,
Always be mine
[Chorus:]
Viva forever, I’ll be waiting
Everlasting, like the sun
Live forever,
For the moment
Ever searching for the one

Yes I still remember,
Every whispered word
The touch of your skin, giving life from within
Like a love song that I’d heard
Slipping through our fingers,
Like the sands of time
Promises made, every memory saved
Has reflections in my mind

Hasta Manana,
Always be mine

[Chorus]

Back where I belong now,
Was it just a dream
Feelings unfold, they will never be sold
And the secret’s safe with me

Hasta Manana,
Always be mine

[Chorus x2]

wo zhi dao ni wo dou mei you cuo
zhi shi wang le zen me tui hou
xin shi dan dan gei le cheng nuo
que bei shi jian pu le kong

wo zhi dao wo men dou mei you cuo
zhi shi fang shou hui bi jiao hao guo
zui mei de ai qing hui yi li dai xu

Chorus:

At the copa (co!) copacabana (copacabana)
The hottest spot north of havana (here)
At the copa (co!) copacabana
Music and passion were always in fashion
At the copa…. they fell in love
His name was rico
He wore a diamond
He was escorted to his chair, he saw lola dancing there
And when she finished,he called her over
But rico went a bit to far
Tony sailed across the bar
And then the punches flew and chairs were smashed in two
There was blood and a single gun shot
But just who shot who?

Repeat chorus

At the copa… she lost her love

Her name is lola, she was a showgirl,
But that was 30 years ago, when they used to have a show
Now it’s a disco, but not for lola,
Still in dress she used to wear,
Faded feathers in her hair
She sits there so refined,and drinks herself half-blind
She lost her youth and she lost her tony
Now she’s lost her mind

Repeat chorus

At the copa… don’t fall in love
Don’t fall in love

Contrast ratio:
A spec much hyped by manufacturers (be suspicious of their claims), this is the difference in light intensity between the brightest white and the deepest black.

1. Dynamic contrast ratio
   A notable recent development in the LCD technology is the so-called “dynamic contrast” (DC). When there is a need to display a dark image, the display would underpower the backlight lamp (or decrease the aperture of the projector’s lens using an iris), but will proportionately amplify the transmission through the LCD panel. This gives the benefit of realizing the potential static contrast ratio of the LCD panel in dark scenes when the image is watched in a dark room. The drawback is that if a dark scene does contain small areas of superbright light, image quality may be over exposed.The trick for the display is to determine how much of the highlights may be unnoticeably blown out in a given image under the given ambient lighting conditions.
   Brightness, as it is most often used in marketing literature, refers to the emitted luminous intensity on screen measured in candela per square metre (cd/m2). The higher the number, the brighter the screen.
   It is also common to market only the dynamic contrast ratio capability of a display (when it is better than its static contrast ratio), which should not be directly compared to the static contrast ratio. A plasma display with a static 5000:1 contrast ratio will show superior contrast to an LCD with 5000:1 dynamic and 1000:1 static contrast ratio when the input signal contains a full range of brightnesses from 0 to 100% simultaneously. They will, however, be on-par when input signal ranges only from 0 to 20% brightness.
2. Contrast ratio in a real room
   In marketing literature, contrast ratios for emissive (as opposed to reflective) displays are always measured under the optimum condition of a room in total darkness. In typical viewing situations the contrast ratio is significantly lower due to the reflection of light from the surface of the display, making it harder to distinguish between different devices with very high contrast ratios. How much the room light reduces the contrast ratio depends on the luminance of the display, as well as the amount of light reflecting off the display. A clean print at a typical movie theater may have a contrast ratio of 500:1 Dynamic contrast ratio is usually measured at factory with two panels (one vs another) of the same model as each panel will have an inherent Dark and Light (Hot) spot. Static is usually measured with the same screen showing half screen full bright vs half screen full dark. This usually results in a lower ratio as brightness will creep into the dark area of the screen thus giving a higher luminance.

Luminance:
Brightness; Luminance is thus an indicator of how bright the surface will appear. In this case, the solid angle of interest is the solid angle subtended by the eye’s pupil. Luminance is used in the video industry to characterize the brightness of displays. A typical computer display emits between 50 and 300 cd/m².

Pixel-response rate:
This refers to how quickly a pixel can change colors, measured in milliseconds (ms); the fewer the milliseconds, the faster the pixels can change, reducing the ghosting or streaking effect you might see in a moving or changing image. In general, manufacturers’ specifications rely on best-case scenarios; real-world performance could be slower. A maximum of a 12ms-to-15ms response time across the spectrum is required for gaming or viewing television and movies without ghosting or streaking.

Resolution:
is the number of distinct pixels in each dimension that can be displayed.
Make sure you are comfortable with an LCD’s native resolution. Remember, an LCD that scales its image to a nonnative resolution will never look as good.

Viewing angle:
is the maximum angle at which a display can be viewed with acceptable visual performance.The physical structure of LCD pixels can cause the brightness and even the color of images to shift if you view them from an angle rather than facing the screen directly.

Refresh rate:
is the number of times in a second that a display is illuminated. Maximum refresh rate is limited by response time.

Response time:
is the time a pixel in a monitor takes to go from active (black) to inactive (white) and back to active (black) again, measured in milliseconds. Lower numbers mean faster transitions and therefore fewer visible image artifacts.

Jake meets with Colonel Miles Quaritch (Stephen Lang), a hardened and seasoned military veteran who is in charge of the colony. Quaritch welcomes the new personnel and military soldiers and briefs them on Pandora, a moon orbiting the gas giant Polyphemus as well as a planet mostly covered with lush rainforests and wildlife. The planet is home to the primitive Na’vi, a sentient alien race. The colony personnel and military are under the jurisdiction of the Resources Development Administration (RDA), a non-governmental organization back on Earth. Jake is introduced to Norm Spellman (Joel David Moore), a biologist who arrived on the same batch of personnel as he did, and Dr. Grace Augustine (Sigourney Weaver), a botanist as well as the leader of the Avatar program, which allows humans to control genetically engineered human-Na’vi hybrids. Using the avatars, Grace and her team have made some considerable progress teaching the Na’vi their ways and learning their language and culture. Grace is not pleased with RDA administrator Parker Selfridge’s (Giovanni Ribisi) decision to use Jake to replace his brother’s avatar position, as she will have to spend time training him in Na’vi culture as well as teaching him how to control his avatar. Parker stresses that RDA needs to mine the extremely valuable mineral unobtainium, which can be found in huge deposits on Pandora. Meanwhile, Quaritch makes Jake his informant to collect information on the Na’vi and their home, the Home Tree, which has huge deposits of unobtainium buried deep below its surface. He wants Jake to gain their trust and convince them to leave their home within three months.After being trained for several weeks in his new body, Jake, Grace and Norm explore the native wildlife with Trudy Chacon (Michelle Rodriguez), a retired Marine pilot who is assigned to ferry them to their location. While Grace and Norm study the wildlife, Jake encounters a group of Hammerhead Titanotheres, a rhinoceros-like animal species. However, the Titanotheres flee from a Thanator, a terrifying land predator. Grace shouts at her group to flee. Jake runs from the Thanator, who is after him, and loses his equipment and weapon in the process. He narrowly escapes death from the predator and falls into the raging rivers below.

Spending the night alone, Jake creates a fire torch using a sap substance on the trees, and once more runs and fights a large group of small sized Viperwolfs. A female Na’vi named Neytiri (Zoe Saldaña) rescues him and kills several of the Viperwolfs before they all flee. Neytiri is at first annoyed with Jake for having caused her to kill the Viperwolfs needlessly and leaves him. Jake goes after Neytiri, who tells him not to follow as she knows he is an avatar hybrid. Jake is caught by her fellow Na’vi, but Neytiri defuses the situation by telling her people that she witnessed him being chosen by the seeds of Eyra, a spiritual entity that the Na’vi worship, which indicate him as a pure spirit.

Meeting Eytucan (Wes Studi) and Mo’at (C. C. H. Pounder), the king and queen of the Omaticaya tribe, who are also Neytiri’s parents, Jake presents himself as a warrior “dreamwalker”, a term the Na’vi used to call the avatar hybrids, with his intention to learn from them. Eytucan and Mo’at agree to teach Jake, making a reluctant Neytiri his tutor. From that day on, Jake spends his time learning the ways and culture of the Na’vi warriors, while jumping back to his original human body to report to Parker and Quaritch on information regarding the aliens. One day, Grace arranges for the Avatar team to be transferred to a remote camp on one of the floating islands to continue their program. Norm informs Jake that Grace knows and disapproves his regular communications with Quaritch, hence the team’s move.

In his avatar form, Jake learns how to bond and control his flying Banshee, while gaining respect and admiration from the Na’vi, his relationship with Neytiri continuing to grow, but also earning the jealousy and annoyance of Tsu’Tey (Laz Alonso), Neytiri’s brother and next in line to be the clan leader. Reporting back to Quaritch, the colonel wants Jake to begin his plan to convince the tribe to leave the Home Tree, but Jake is now reluctant and weary of his fellow humans to exploit the planet’s resources. He tells Quaritch that he will attempt to convince the tribe once he is made part of the People, a ceremony granting the greatest honor to an avatar. That night, Jake undergoes the ceremony where Eytucan considers him as one of their own and made part of the People, with Grace and Neytiri looking on. While on a hunt, Jake and Neytiri encounter several bulldozers, sent by RDA, destroying the nearby forests. In his attempt to stop them, Jake destroys one of the machine’s sensors. Returning to the Home Tree, Jake reveals he was sent by his superiors to convince the tribe to leave. He attempts to explain to the tribe that the humans will destroy them and their home if they don’t leave, but they are upset by his apparent betrayal to listen. Neytiri refuses to listen to Jake’s explanations while Tsu’Tey attempts to kill him. Before anything else can happen, Jake and Grace are suddenly sent back to their human bodies when soldiers sent by Quaritch arrives to take them back by force.

Quaritch and Parker have seen footage of Jake destroying the bulldozer’s sensors and have checked his entry logs, indicating him as losing interest to participate in the plan as well as committing possible treason. Grace tells an unbelieving Parker that the trees and plant life make up a huge planetary network which connects the spiritual consciousness of all life, including the Na’vi, and must not be destroyed. Given a chance to attempt a final plea to the tribe to leave their home, Jake and Grace return to their avatar forms but are instead caught and binded by the Na’vi, who intend to defend themselves. A large strike force led by Quaritch destroys the Home Tree, burning it to the ground, while killing large numbers of the tribe, despite their attempts to retaliate. Mo’at releases Jake and Grace from their bonds and pleads them to save her tribe. Eytucan is killed in the destruction, leaving Neytiri devastated. She tells Jake to stay away when he tries to comfort her. In the chaos, Jake and Grace are sent back to their original bodies to be placed under arrest for treason, along with Norm, who tries to stop the military from disabling their avatar forms.

Trudy Chacon rescues the Avatar team from prison and flies them to safety, however Grace is shot by Quaritch who attempts to stop them from leaving the colony. The team has the camp container holding the avatar transfer pods sent near the Tree of Souls, where the remaining Omaticaya tribe has fled to safety. Jake makes a plea to Mo’at to save Grace from dying by having her consciousness transferred permanently to her avatar form, using the Tree of Souls, before her human body expires. However, it is too late, as Grace is too weak to be transferred. Before she passes away, she tells Jake that she’s seen Eyra and the holy entity does exist. Later, Jake returns to his avatar form, which had been abandoned in the chaos. He makes his intention to redeem himself in the eyes of the Na’vi and successfully tames and controls a Leonopteryx, a flying creature bigger than the Banshee, which a Na’vi has yet to accomplish. Reaching the Tree of Souls, he asks Tsu’Tey, who has been made clan leader, and the entire tribe to stand with him and face the humans. Earning back the tribe’s trust, Jake makes plans to join forces with other clans to strike back at the human forces. Surveying the Na’vi, Quaritch learns that other clans have converged with the Omaticaya at the Tree of Souls and decides to destroy them and their holy ground to put an end to their defiance once and for all.

A huge military fleet commandeered by Quaritch approach the Tree of Souls, with the intention to blow the area up. Thousands of Na’vi warriors led by Jake and Tsu’Tey take to the skies and attack the fleet, causing huge losses on both sides. Neytiri is knocked off her Banshee and flees the military ground forces, while Norm’s avatar is shot and killed, forcing him to jump back to his original body. Tsu’Tey makes a valiant attempt to take down the shuttle carrying the explosives, but is killed in the process. Trudy goes against her fellow humans and attacks Quaritch’s ship which was attempting to shoot down Jake, but ends up having her ship shot down, killing her in the explosion.

When all things seem bleak, the native wildlife of Pandora strike back in force, which Jake earlier made a plea to Eyra for help. The ground and aerial troops are scattered by the wildlife and destroyed, while the shuttle carrying the explosives is destroyed before it reaches the Tree of Souls. Neytiri hitches a ride on a Thanator. Jake manages to bring down Quaritch’s ship, but the colonel manages to get into his AMP mech and escape the ship’s destruction. Finding the camp containing the avatar pods by chance, Quaritch attempts to destroy Jake’s body but Neytiri and her Thanator attacks him. However, Quaritch kills the Thanator with his AMP and is about to kill Neytiri when Jake arrives to challenge him. After a short fight, Jake destroys the AMP’s life support but is caught in the mech’s grip. Neytiri saves Jake by planting two arrows into Quaritch’s chest, killing the colonel. The camp is damaged during Quaritch’s attack and leaks oxygen, leaving Jake’s human body almost dying from the poisonous air until Neytiri helps him put on his breath mask.

Having put an end to the military’s attack, the Na’vi round up the remaining humans to be sent back to Earth, never to return, while allowing a select group to stay with them on Pandora, which includes Jake, Norm and the avatar team. Jake decides to stay in his avatar form forever, and concludes his final entry log of his experiences. Returning to the Tree of Souls, he undergoes the consciousness transfer from his human body to his avatar form, and awakens to a new life as a Na’vi.

When the night falls down
I wait for you
And you come around
And the world’s alive
With the sound of kids
On the street outside
When you walk into the room
You pull me close and we start to move
And we’re spinning with the stars above
And you lift me up in a wave of love…

Ooh baby, do you know what that’s worth?
Ooh heaven is a place on earth
They say in heaven love comes first
We’ll make heaven a place on earth
Ooh, heaven is a place on earth

When I feel alone
I reach for you
And you bring me home
When I’m lost at sea
I hear your voice
And it carries me

In this world we’re just beginning
To understand the miracle of living
Baby I was afraid before
But I’m not afraid anymore

Ooh baby, do you know what that’s worth?
Ooh heaven is a place on earth
They say in heaven love comes first
We’ll make heaven a place on earth
Ooh, heaven is a place on earth…

In this world we’re just beginning
To understand the miracle of living
Baby I was afraid before
But I’m not afraid anymore

Ooh baby, do you know what that’s worth?
Ooh heaven is a place on earth
They say in heaven love comes first
We’ll make heaven a place on earth
Ooh, heaven is a place on earth

Ooh, heaven is a place on earth
Ooh, heaven is a place on earth
Ooh, heaven is a place on earth

Can You Hear Me
Can You Hear Me
Can You Hear Me (So am I)

Wasurete shimae baii yo kanji nakunacchaewaii
Surimui ta kokoro ni futao shitanda
Kizutsui tatte heikidayo mou itami wa nai kara ne
Sono ashiro hikizuri nagara mou wo

Mirushinatta jibun jishin na
Oto wo tatete kuzureteitta
Kizukeba kaze no oto dake ka

Tsutae nikitayo kisuato tadokke
Sekai ni oshi tsufu sarete shimau mae ni
Oboeteru kara namida no sora o
Ano itami ga kimi no koto o mamotte kereta
Sono itami ga itsumo kimi o mamotterunda

Can You Hear Me? (So am I)

Tsutae nikitayo kisuato tadokke
Sekai ni oshi tsufu sarete shimau mae ni
Oboeteru kara namida no sora o
Ano itami ga kimi no koto o mamotte kereta
Sono itami ga itsumo kimi o mamotterunda

Can You Hear Me? (So am I)

Tsutae nikitayo kisuato tadokke
Sekai ni oshi tsufu sarete shimau mae ni
Oboeteru kara namida no sora o
Ano itami ga kimi no koto o mamotte kereta
Sono itami ga itsumo kimi o mamotterunda

Can You Hear Me? (So am I)

Tsutae nikitayo kisuato tadokke
Sekai ni oshi tsufu sarete shimau mae ni
Oboeteru kara namida no sora o
Ano itami ga kimi no koto o mamotte kereta
Sono itami ga itsumo kimi o mamotterunda

Can You Hear Me? (So am I)

Wasurete shimae baii yo kanji nakunacchaewaii
Surimui ta kokoro ni futao shitanda

Kizutsui tatte heikidayo mou itami wa nai kara ne
Sono ashiro hikizuri nagara mou wo

Mirushinatta jibun jishin na
Oto wo tatete kuzureteitta
Kizukeba kaze no oto dake ka

Tsutae nikitayo kisuato tadokke
Sekai ni oshi tsufu sarete shimau mae ni
Oboeteru kara namida no sora o
Ano itami ga kimi no koto o mamotte kereta
Sono itami ga itsumo kimi o mamotterunda

Can You Hear Me? (So am I)